A 2010 Update

Well, I’ve neglected this blog for an awfully long time. And I realize now that, previous to announcing the downloads of my old band’s records, my last real entry was pretty bleak. So here I am, back to bring things up to date and, perhaps, paint a little brighter picture of things.

When I made that last report, my work situation had deteriorated so much that I couldn’t continue my lessons and had basically given up practicing. Things were bad. Unfortunately, about a month later it got a whole lot worse: My entire department was laid off, save for myself and one other member of my staff. Needless to say this was not a step in the right direction, and the fact is that to this day I have still not been able to find a way to make time for regular, structured, productive practice, let alone resume my lessons.

But on a brighter note, 2010 actually turned out to be a great year to hear other people’s music. When things got so bad, my wife and I quickly realized that for sanity’s sake we needed to make a very concerted effort to get out and enjoy ourselves, and as a result we saw lots of great live music. Tonic for the soul.

In January we saw Swell Season at Radio City. On Valentine’s Day we went to Brooklyn to see Stephane Wrembel at Barbes, the first of three times we would see him in 2010. In March, we went with friends to see Beppe Gambetta in Morristown, where John Carlini, my teacher, was among a number of musicians who made a special appearance. We saw Wilco at the Wellmont Theater in Montclair; Joseph Arthur, solo and unplugged at the Rubin Museum; The Avett Brothers at Radio City; and Leo Kottke at NJPAC in Newark.

In April, we traveled to NC for Merlefest, where we saw lots of old favorites like Sam Bush, Jerry Douglas, Wayne Henderson, The Nashville Bluegrass Band, Tony Rice, and (again) the Avett Brothers. We also saw Steve Martin with the Steep Canyon Rangers, as well as Elvis Costello. And as is always the case at Merlefest, we discovered some new folks like Bearfoot and Harry Manx (who also opened for Leo Kottke later in the year, at the aforementioned NJPAC show).

Early in the year, when things were in the process of turning from bad to worse, we had decided not to return to the Newport Folk Festival despite having enjoyed it so much in 2009. Then we had such a good time at Merlefest that we realized skipping Newport would be a big mistake. As soon as we got back to Jersey we reserved a room and ordered our tickets. Good move: Some of the highlights at Newport 2010 were John Prine, Calexico, Yim Yames, Sam Bush (again), Low Anthem, Levon Helm Band, Swell Season (again, just weeks before the announcement that they were splitting up), Preservation Hall Jazz Band, and yet again, The Avett Brothers.

In addition to seeing all this live music, I was also fortunate enough to get together once or twice with a couple of different local musicians. One of the first people I met when I moved to Maplewood was my friend Jim, who happens to be quite a good jazz improv picker. We’d been threatening for years to get together to swap a few tunes, and in May we managed to do it. In addition, my friend Mike and I were able to go down to the monthly jam session in Little Silver another time or two during the year.

So all in all, even though I wasn’t able to fully get back into the swing of things, 2010 was nevertheless a good year for music. And as it happens, 2011 is starting to take off pretty well, too. But that’s another story. Or two…

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